• NMM Bronze and you


    NMM BRONZE AND YOU
    (by Massimiliano Mattei aka xMANIGHTx from Terni)
    First of all forgive me for my english, I'll try to be as clear as possible. I got back to mini painting after some years of rest. I always do. I paint for a year then stop for three or more then go back to paint... I think is ispiration and my muse that often falls asleep. Anyway... when you start painting after many years you are always afraid you lost all the techiques and color management... luckly is not so, as soon as you start painting everything comes back and you go on learning and improving from where you left.Where I left was NMM. My last 3 models of some years ago where my first attemps at NMM. So I decided to continue learning this skill. I first tried with steel and had no issues with it (I'll write another article for steel), the real challanges were gold and bronze wich I never tryed. I tryed some gold but I'm still not really satisfied with it so I decided to master NMM bronze first. It seems it's one of the most difficult NMM effects to obtain because colors are not immediatly intuitive. They seem to range from brown to orange, from pink to yellow and even green. A big mess. Anyway to assure you that it's not worthless to keep reading this article, here is the final result I obtained.

    I have to say I'm really really satisfied with the result. Too bad I'm not a good photographer but this pic is very close to the original, even if the live version is much better as always.I don't want to keep this article long, so I'll go straight to the point.
    COLORS
    For those of you that are already familiar with glazing technique, and just want to know wich colors I used for bronze, here is the magic secret (I try to give quantities for each mix but they are approximatives):BASECOAT: (GW) 10 BESTIAL BROWN + 3 BLAZING ORANGE + 1 BLEACHED BONE (VL) 10 BEASTY BROWN + 3 HOT ORANGE + 1 BONEWHITE(you should obtain a clear brown very similar to hot chocolate... if you feel you would like to drink it then you reached the right mix)

    FIRST SHADING: (GW) 10 BASECOAT + 2 ORC FLESH WASH + 1 BROWN WASH + 1/2 BLACK WASH I use washes here because they keep the final result a bit glossy (just a bit more than glazing with acrylics does without a matte medium) and I like it on NMM. If you want you can use regular acrylics instead of inks. You should obtain a dark golden/green brown.

    SECOND SHADING: (GW) ADD 1 BLACK WASH TO THE PREVIOUS MIX You should obtain a very dark brown, almost black (always golden somehow if you try it very watery on a towel).

    FIRST HIGHLIGHT: (GW) 10 BRONZED FLESH + 2 BASECOAT(VL) 10 BRONZE FLESHTONE + 2 BASECOATThis should look like an orange/golden pink/brown........ the image here below is a bit faked with colors, the real color is a bit more "pinkish".

    FINAL HIGHLIGHT: (GW) BLEACHED BONE(VL) BONEWHITE[pagebreak]
    GLAZING TECHNIQUE
    I think there will be several articles around here on glazing, I just give some briefe guidelines based on my limited experience.Glazing is basically the act of applying multiple layers of color, so watery that when you apply one, you almost don't notice it. So to obtain your intend color to show up you must keep applying the color again and again, until it finally takes consistence.What is this useful for? This is great for doing very very smooth transitions between colors and between light and dark... in one word (well two actually..) "astonishing shading".There are a bit of things to remember when attemping or mastering glazing.- Glazing means taking the color you want and then adding tons of water until it becomes colored water. The most subtle the shading effect you need, the more water you add. This gives somehow the final colors a glossy effect. If you want to dampen this glossy effect a bit, just add a bit of acrylic medium gel (matte) you can buy at your painting store.- If you are brand new to glazing, it takes a bit of experiment (not much really). So you have to be patient and keep trying. The trick is in finding the right consistence and to "understand" when and how your brush is actually painting something even if your eyes tell you nothing is really being drawn. That's because when the paint dryes on the model is always a bit darker then when you apply it. Keep trying with it, don't give up because mastering this technique will give a whole new look to your models and you'll be even more happy to start painting.- Direct artificial light on the model while glazing fakes the final results. This is because of the glossy effect of glazing and because very watery colors will need a bit to dry up. Often you'll have to move the model a bit away from direct light to do more accurate shading (highlighting is less problematic). Also, when the day after you will watch the model to natural sunlight you will be suprised to how much it will look different. So this requires a bit of experience to know when to stop shading (just because it seems you are not darkening at all) or when to keep highlights a bit dampened. Just try and learn.- Before starting to paint on the model, always (you will learn how much to do this with pratice) dry the brush on a towel and then start glazing. You will not want to flood your model with water and color, so drown the brush in the color, dry it on a towel and then start glazing.It should look something like this:

    [pagebreak] 
    NMM BRONZE STEP BY STEP
    I usually use GW colors and give a skull white primer on the model because a white coat tends to give more brillant colors to the final model (expecially if you glaze the whole model) and I like the "cartoonish finish" Rackham (and old GW) style.I achieved the bronze effect you saw at the start of this article with only 5 steps.STEP 1 (BASECOAT)(GW) 10 BESTIAL BROWN + 3 BLAZING ORANGE + 1 BLEACHED BONE (VL) 10 BEASTY BROWN + 3 HOT ORANGE + 1 BONEWHITEUse the basecoat color mix to get an even surface. When dried if you got the right mix it should look more like an "earthenware jar" or "pottery" than bronze. It's a reddish brown. If it looks like this the color is ok.

    I put very big pictures so you can see well everything. The white chains on the plate are still work in progress of course and I'll paint then whole black and then with NMM steel. I'll paint them whole black before to get the outlining effect.Anywya let's go to step 2.STEP 2 (FIRST SHADING)(GW) 10 BASECOAT + 2 ORC FLESH WASH + 1 BROWN WASH + 1/2 BLACK WASH Use the color mix described above for the first shading. First of all, if you want to fake a real metal, you should understand where the shadows and the highlight should be painted. There are several tutorials and references on this sites for this as well. A simple and fast method would be to see it before applying the white primer coat to the model.Put it in direct light and take a shot (or just watch how and where the shadows and highlights are arranged) and then reproduce them with painting.In this particulare case, there are 2 pieces of plate with different bendings. The lower one I start shading from the center to the edges (2 shading). I'll try to shade mode the upper and then to have less shading on the lower part.When shading keep the glaze very very watery at first. At start it will seem you are not painting at all (but you are...). Then the color palette will start to dry a bit and your shades will start to appear.Try to shade keeping the parts you want to highlight out of it or just give them very few passes. In general after shading you should look at the result and think it won't need highlighting at all. This means you did a good job.The real trick in glazing (and shading with glazes) is that you start painting the whole area, going with the brush toward the darkest one in this case and then you repeat the process always in smaller areas. So to make an example, consider "D" is for dark and "L" is for light, You would do something like this <----------- L  (paint, giving more and more passes as you notice a change in color)D <--------     L  (the area you paint is smaller and always toward dark, go on glazing)D <----           L (smaller again... and so on...)For highlighting just invert the process, painting toward the lighter side but always withi this technique.STEP 3 (SECOND SHADING)(GW) ADD 1 BLACK WASH TO THE PREVIOUS MIX Add a bit more black to the mix and glaze in the recess and darkest areas. Again keep it very watery so you have more control. Remember to leave sharp edges and spots that should look very bright (highlighted).If you did a good job with this two steps of shading, the result should look like this.

    If you really really did a good job, your bronze will amazingly start to look like real bronze (ore even better...) and you'll feel like there is no need to give highlights. But keep the faith and go on with highlights, the results won't disappoint you!STEP 4 (FIRST HIGHLIGHT)(GW) 10 BRONZED FLESH + 2 BASECOAT(VL) 10 BRONZE FLESHTONE + 2 BASECOATKeep the mix very watery and start the glazing proces toward lighter zones. For sharp eges, highlight even where the sorrounding zone is quite dark. Infact sharp edges will reflect more light even when the sorroundings are dark.Go on glazing and lightning. Don't worry thet the originale basecoat will disappear under your shades and highglight, this is intended. But the original basecoat will be there to give the right finish to the job. Remember you are painting with translucent coats of color.STEP 5 (FINAL HIGHLIGHT)(GW) BLEACHED BONE(VL) BONEWHITEKeep this final mix always watery but much less than before. Try to do only the brightest parts with this color. On flat surfaces very very few and very watery or nothing at all (remember bronze is dull so you won't have so sharp reflections).On edges go with confidence. Then get more consistent color (less watery), almost "out of the box" and draw tiny spots/lines only on the very very lightened points.If you performed well here this is a typical result (I did some mess on the lower plate with the dark shading near the edge I know...):

    STEP 6 (CORRECTING ERRORS)(GW) 10 BESTIAL BROWN + 3 BLAZING ORANGE + 1 BLEACHED BONE (VL) 10 BEASTY BROWN + 3 HOT ORANGE + 1 BONEWHITEIf you feel there are some "rough" transitions, just have a very very very watery mix of the original basecoat, dry well the brush before applying and do an overall glaze (starting from the lighter zones and going toward the darker ones).This will eventually smooth up any rough passage or to dampen any "too bright" zones.Usually if you did everything well you could skip this phase.THE RIVETSNo mistery here, just use a dark brown (almost black) and paint the rivets. Then highlight with bleached bone.
    FINAL RESULT
    Since everything is very mix based and glazing based you may obtain different kinds of bronze. You colud have a more reddish (copper-like) bronze or a more golden like bronze. Just experiment and you will love how NMM bronze looks on your models. Here are a couple of slightly different bronze effects. The one on the left is more dark and golden, the one on the right is a bit lighter and reddish (more copper like).

    I hope you enjoyed the tutorial. See you soon in for "NMM Steel and you" and "NMM Gold and you". Best wishes.Massi
    Comments 2 Comments
    1. fg90640's Avatar
      fg90640 -
      Quick question...the numbers before the paint names...are those "how many parts paint" one should put into the mix?! Thanks...
    1. xMANIGHTx's Avatar
      xMANIGHTx -
      Quote Originally Posted by fg90640 View Post
      Quick question...the numbers before the paint names...are those "how many parts paint" one should put into the mix?! Thanks...
      Yes (sorry for the "late" reply...lol)
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