Just a couple of lines on Mr Surfacer.
Mr Surfacer is a range of Japanese finishing treatments. They come as spray cans or jars and come in grades similar to finishing papers 500, 1000, 1200 etc. They are designed to be applied to the surface of a model kit to provide a good surface for painting. The lower grades even fill surface imperfections, almost like a liquid sanding process! I use 1200 as a primer because when thinned and applied with an airbrush gives an incredible silken finish. The only problem is that it\'s pretty difficult to get hold of as it\'s not normally shipped outside Japan.
Hope that helps. :)
On human figures I always begin with painting the face. It is generally the focus of a figure and can hold character and dare I say it, impart emotion.
Head is primed with Mr Surfacer.
I like to prepare the colours I’ll be using before I begin. Having all of the tones ready to hand helps with the blending process.
I prefer to use Vallejo Model Colour for the flesh tones. They have a good opaque quality and can be easily thinned.
Colours are laid out in shade and highlight tones:
B- Base colour VMC 876 Brown Sand
H1- Highlight 1 VMC 876 Brown Sand 75% VMC 815 Basic Skintone 25%
H2- Highlight 2 VMC 876 Brown Sand 50% VMC 815 Basic Skintone 50%
H3- Highlight 3 VMC 876 Brown Sand 25% VMC 815 Basic Skintone 75%
H4- Highlight 4 VMC 815 Basic Skintone
S1- Shadow 1 VMC 876 Brown Sand 75% VMC 814 Burnt Cadmium Red 25%
S2- Shadow 2 VMC 876 Brown Sand 50% VMC 814 Burnt Cadmium Red 50%
S3- Shadow 3 VMC 876 Brown Sand 25% VMC 814 Burnt Cadmium Red 75%
H5- Extreme highlight VMC 815 Basic Skintone 50% VMC 918 Ivory 50%
H6- VMC 918 Ivory
Each of the colours includes a small amount of Tamiya X-21 Flat Base. This guarantees a totally matt finish, however too much Flat Base can cause the colours to become chalky.
Face is airbrushed several times with the base colour.
First highlight is brushed onto prominent areas of the face. The paint is thinned to what can only be described as a ‘thick wash’ and applied in several progressive semi transparent layers, building up the intensity of the tone.
Further highlights. Particular attention is being paid to high points, nose, chin, top of head etc.
Final highlights for now. High points of the face have received several combinations of the highlight colours, slowly building up the tones. Highlights will be refined later once the shading process begins and starts to provide a contrast reference.
Shading next.