baudot

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Revenger

First off, critique very welcome. Promise, I really want to know what you liked and what you didn't like about this fig. I'm not going to get miffed to know if you ranked it a 2 or a 3. I want to know what about it jumped out at you. This is another of the original metal figs from Warmachine. And I'm still on my project of trying to paint faster more than I'm trying to paint better. Hey, I'm still working to improve. And working faster gives me more chances to start fresh and try a new approach, too!

Posted: 12 Sep 2016

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4.6 /10 (23 Votes) 544 Views

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Webmonkey

I posted this same comment on your post on the forums,.. but black-lining is going to help you out a lot. Take the above picture, and really look at the top plate just above the models head. See how your red/purple color bleeds over onto the white of the surrounding trim?? Learning to put a black line in the edge/crevasse between will help guide you. Use the line as a buffer between the colors. On one side of the line, everything should be red/purple, and on the other side of the line everything should be white. Or just off to the right on the shoulder, where the red/purple meets the white,.. a black line will help separate the colors, and clean up the line. "Clean paint" is the base foundation of a good paintjob. From there, I'd go on to blackline the entire model,.. the base of the spikes on the shoulder,.. the spaces between the fingers,.. and/or any place where one color meets another. Blackline the entire model,.. then post a new picture on your wip of the current paint, and a new pic of the blacklined model,.. then we can compare the two and take you on to the next step.

22 Sep 2016 • Vote: 5

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