Tha Flame Mage (aka Sir Malcolm, Lightbringer)

This was an odd method of painting for me. Normally I plow right through a figure (or group of similiar figures) until I get it completed. Of course, that doesn't stop me from accumulating dozens of half painted minis. For this one, I spent a few minutes here and there (usually while painting other figures that shared similar shades and colors) over the course of a couple of months. The cloak was based with ballast (just as with a... uh... base) to give it a lava-esque feel and painted to suit. Mostly this was inspired by the Cloak of the Salamander picture in the D&D Miniatures Handbook, even though I obviously didn't reference the picture directly. Otherwise, no majorly interesting techniques here despite experimenting with various things -- there is some subtle object-source lighting from the sword on his face and armour. The armour uses a blend of both metallics and non-metal metal styles. The sword was actually done with pens, not paint, as were the howling mini-elementals in the cloak. I probably should have left them out, but overall I'm pleased with him. Kep

Posted: 30 Jul 2004

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5 comments

Nighthawk1982
I think this might be one of the best minis here.
12 Aug 2004 • Vote: 10
EArkham
The pen-work on the sword was actually really similar to wet-blending (a technique I tend to use a lot anyway). I kept both a red and yellow pen uncapped and just lined in the seperate shades, then "dotted" them together to blend. I found that it was actually a little easier to focus on blending when I wasn't worried about a brush tip drying out, or having to constantly redip the brush in water... though I did once dip one of the pens in the water out of habit. :)
1 Aug 2004
Trevor
Sword and cloak are excellent, the armour looks great. So how did you do the sword with pens?
31 Jul 2004 • Vote: 10
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