Thanks for that link, Demi. I remembered someone had talked about the class but couldn't remember who. Very helpful! It's not cheap, but for two full days of instruction it's probably not that bad. They said the price may come down if they get more people, but I'm guessing the price won't change that much.
Yeah, you should definitely get to some in-person competitions! There's the Bay Area Open (San Jose) and Califaux (Sacramento) which are pretty close to you. Looks like the painting comp at Califaux is just for Malifaux, but the Bay Area Open one will take anything. The BAO didn't have a lot of entries but, assuming it's the same as last year, it's still a Crystal Brush Qualifier and had some nice swag for the Best of Show. I'd like to get back up to the BAO this year, if I'm able I'll definitely let you know. By the way, there's also a show down in LA in April put on by
SCAHMS. It should be a lot larger than Califaux or BAO, just figures no gaming, and the open system for judging. And there's the
Las Vegas Open in a couple weeks. Probably not enough notice for this year, but something to keep in mind for 2016. They have some nice looking seminars lined up.
You're right about the rate of blending/transitions. It can definitely change the feel of the material. For shiny black I was attempting to do light highlights but only over small areas and with more rapid transitions. When I go back in with the glazes I'll be trying to emphasize that, using dark glazes to make the transitions happen over shorter distances. Of course I don't have the level of control over it that I'd like, so the results might not read that way. But painting materials so they look like a specific material (be it metal, leather, shiny, dull, or whatever) is something I want to keep improving.