MPJ
New member
I haven't painted a mini in over 2 years now and decided to jump back into the saddle with a big one. I figured I spent big bucks on this Forge World thingie I better start putting paint to it.
I'm pleased with the mouth and teeth I've done so far and I've blocked in the base colors I have planned for the rest (I tend to start with my second darkest shade color then highlight up with a little more shading in the darkest recesses).
I'm comfortable with how I'm going to proceed with the horns, the various boils and such on the skin I have a good handle on. The exposed muscle on the back legs I think I've got covered but I just don't know what to do with the skin. On this large and very detailed resin mini there is just so much detail and I'm worried about losing it all. So many subtle pits in the skin and such that I'm thinking if I were to do my norm and start blending highlights right away until I'm just about done then do some shade washes/blending, then finally a few more layers of blending highlights I'm going to have lost the detail in the totally pitted skin.
Any advice on how to approach the skin of this beast would be greatly appreciated, and I'm always open to comments on other ways to approach the other unfinished bits. Heck, even an idea or two on how to do the mouth better (the only part that is complete, had to paint it first for assembly) will be soaked in by me.
Thank you kindly,
Michel P. Jeanrie
I'm pleased with the mouth and teeth I've done so far and I've blocked in the base colors I have planned for the rest (I tend to start with my second darkest shade color then highlight up with a little more shading in the darkest recesses).
I'm comfortable with how I'm going to proceed with the horns, the various boils and such on the skin I have a good handle on. The exposed muscle on the back legs I think I've got covered but I just don't know what to do with the skin. On this large and very detailed resin mini there is just so much detail and I'm worried about losing it all. So many subtle pits in the skin and such that I'm thinking if I were to do my norm and start blending highlights right away until I'm just about done then do some shade washes/blending, then finally a few more layers of blending highlights I'm going to have lost the detail in the totally pitted skin.
Any advice on how to approach the skin of this beast would be greatly appreciated, and I'm always open to comments on other ways to approach the other unfinished bits. Heck, even an idea or two on how to do the mouth better (the only part that is complete, had to paint it first for assembly) will be soaked in by me.
Thank you kindly,
Michel P. Jeanrie