Fundamentals Make Me mEntAl - WIP Thread

CreganTur

Member
Yeah, it was a friendly competition, but I knew the only way I'd stand out would be if I did something crazy.

I took a whole 5 seconds to decide what type of freehand to do before I did that ribbon loop.

Probably the best thing about this experience was discovering that I've developed good instincts and was able to produce something that looks decent next to everyone else's work.
 

KruleBear

Active member
Yeah, it was a friendly competition, but I knew the only way I'd stand out would be if I did something crazy.

I took a whole 5 seconds to decide what type of freehand to do before I did that ribbon loop.

Probably the best thing about this experience was discovering that I've developed good instincts and was able to produce something that looks decent next to everyone else's work.
I think your instincts are good and it is great seeing the varioation of several good artist on the same mini. These are not just great speed paints, but great period.
 

CreganTur

Member
2 weekends ago I attended a Masterclass by Miniature Monthly. We painted the bust "Mary Fixit and G.R.I.T.T." which consists of 2 characters. Elizabeth Beckley taught traditional painting on the Mary figure, the little fox girl.

Contrast is an area where I struggle and I was glad that was a big focus of the 1st day's class. By following along I noticed a big difference in contrast during the first few color transitions on the face:

PJdgfFUh.jpg


This is where I got her at the end of the class. I was quite happy with her, except for the yellow leather. Didn't look good enough to me and I was struggling with the yellow paints we used at the class. Here she was at the end of the class:

mBQlAkeh.jpg


Over this past weekend I finished her up. Completely redid the leather using some different colors to give it a more leathery look. I also finally decided that I wanted to at the stereotypical white tip to the end of her fox tail, which I think turned out great:

sBi51tRh.jpg



The 2nd day was Aaron Lovejoy teaching airbrush techniques on GRITT. I've always had a difficult relationship with my airbrush and was really glad Aaron was able to very clearly give direction and advice. Now I feel more confident with my airbrushing, but I know I still need to practice. This was at about the halfway point of GRITT:

MQqRbfKh.jpg


Putting both pieces together at the end of the masterclass was really satisfying:

hCyuGFsh.jpg


Over the weekend I also started working on GRITT's backpack. I stippled a couple different browns over the area, which made a really nice effect, then started on some highlights:

pH9tPxwh.jpg


This is what I've worked up to at this time. Some of the higlights seem too extreme and it seems like I've lost some midtones. Also I want to keep working on the little freehand to make it pop more, as well as ensure the fox tail flourish on the cursive 'M' reads well (Also some of the paints I'm using apparently dry very shiny):

z1nmLcMh.jpg
 

CreganTur

Member
I completed this project. Spent 2 hours trying to get good photos and this is the best I've gotten so far. Really proud of this figure, but annoyed at how hard it is to get good pictures.

UV0vsT4h.jpg
 

Dragonsreach

Super Moderator
Staff member
I completed this project. Spent 2 hours trying to get good photos and this is the best I've gotten so far. Really proud of this figure, but annoyed at how hard it is to get good pictures.

UV0vsT4h.jpg
YesI can see that your metering is averaging the black/white contrast to a grey.
If you were using a Dslr I’d suggest putting a grey card in front with which to take a reading from which to set the aperture/shutter ratio.
If it’s phone/compact camera paint a stripe of styrene sheet with six colours red green blue etc so that you can use them in post production/ photoshop/gimp to get a true-er representation.
 
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