I didnt paint Minis for a while and now that Im back to the Hobby I discovered that Airbrushing seems to be state of the art these days.
Lots of experienced painters don't have an airbrush. And many people who do have one don't use it for much more than basecoats and painting groundwork.
4) If so, what do I have to buy? Ive seen sets for sale on ebay etc, but of what do they have to consist?
I use an Aztek. I don't care for the design of traditional all-metal airbrushes (see
here for one major reason why) and unless one
needs an ability that only a brush of this design can provide I would recommend an Aztek every time. Particularly for the first-time user since they are very forgiving of heavy-handedness!
The thread that post is from is worth a read through for more info too, with some other recommendations. Also see
this thread for another brand worth considering.
So in relation to higher-end airbrushes that can do fine dots and lines, you simply don't need one for painting detail on miniatures. Apart from anything it's just not feasible in many cases (hard or impossible to get the nozzle close enough) but beyond that it's often better - faster, superior results - to use a paintbrush.
3) Would you recommend buying Airbrush equipment or do you think its not really necessary?
For the things an airbrush is good at I think one is definitely worth it but the savings in labour have to be seriously balanced against the cost of the brush and the compressor; plus with traditional airbrushes the cost of replacement parts if needed (which can be significant).
For work on larger pieces an airbrush becomes more and more a necessary tool rather than just a luxury - once you get to really large-scale modelling few people don't use an airbrush fairly extensively.
1) Which parts of a Mini can be airbrushed? Meaning how detailed can I work with it?
The answer to this isn't as straightforward as it seems. There's a lot of good info in the posts above but the way that sprayed paint works you
can paint detail in a way without having to spray each bit individually, IF what you're spraying has the right sort of raised detail.
The basics of the technique are that you begin with the midtone and spray light paint from above and it catches on upward-facing raised detail, ditto with dark paint from below catching downwards-facing detail. So you get a natural shading effect just from the direction of spray. There's a lot more to the technique but that's the essence and it honestly is enough info to get started with.
This is sometimes called
zenithal spraying if you want to do a little research on it.
Spraying like this usually has to be combined with masking, which is touched on in some other threads that are well worth search for and reading through. The difficulty and effort in masking and unmasking shouldn't be overlooked - for some people it's the reason they use their airbrush less than they would like.
Something else to bear in mind: one has to combine airbrushed work with brushwork, while not having the brushwork stand out as obviously different (less smooth). This is one of the major challenges that is often not mentioned; all I can say is that it is worth the effort if you stick with it.
Einion