Thanks!
Mally, I wish I had some awesome time saving tricks to share on blending. Most of what I do involves applying thinned down layers (not as thin as the transparent glazes, but certainly not opaque layers either) and just gradually shifting the color on the palette for each new layer. In areas where the blends need fixing, I'll mix a gradient of the colors on my wet palette and jump back and forth between the lighter and darker shades until the transition is hidden. This isn't exactly wet blending, but there's a probably a bit of that which can help.
I've been meaning to do a video tutorial. I had recorded one of the hobby hangouts, but doing it that way left a lot to be desired in terms of video resolution. The audio was a bit spotty too. If I record directly from my camera that should fix both of those issues. I'm not sure when I'll have time to do this, but that should be the best way to show anyone interested how I blend.
Sicks, hmmm... I hadn't thought of that, but perhaps I will. I was experimenting a bit with this piece and trying to do shiny black hair. I approached it more or less like NMM (even though I don't really paint NMM). The reflections fall about a third of the way down instead of at the top. This is more about a ray of light bouncing off and where it would have to be for it to travel from the light source to your eye (with angle of incidence = angle of reflection) rather than regular zenithal lighting where the upward facing surfaces are always the brightest. The other trick is to vary the placement slightly so the lights aren't all perfectly aligned around the head. I'm not a NMM expert like a number of other painters on this site, so I'm still trying to figure it out as I go!
In other news, instead of starting on the angel's wings, I decided to start painting the Dragoon I showed a
few pages ago. I've finished his face and started on the helmet. No pictures yet, but I'll try to get some up in the next day or two.