hopefully it adds something to the red when that is applied.
Cool that you're showing so many steps in the progress!
Using the underpainting has been a weird experience this time. Have used the technique lots of times, but I am not getting the red as deep as I want.
Well, more shading, feathering, etcetera.
Just forgot a few extra pics yesterday:
![]()
![]()
![]()
Reveals a little of the sculpting process...
Heh no, since you used a very bright yellow, the red also ends up being warm and bright (like I sort of explained in my previous post). Doesn't a bunch of dark red washes (black + red) achieve what you'd want? It's a really nice colour you got there though, but yeah, but maybe a tad too bright.
...
Also, what red are you using?
I am using Some mixed paints from about 10 years ago. But I am trying new things on this model since I want the red somewhat brigther than my usual red.
That suggestion of using purple is an interesting idea, that I might try at some point. For now, I believe the trick will be to go back in using Scab Red glazes and adding black for the darker shading. I am sure that the red will go a little down in intensity when mere of the model gets done...
I feel terrible making criticisms about the work of someone a lot more skilled than me but, to me it feels like the model has been cut in half by the red colour and could use some red as a spot colour at the tail end to tie the two halves together. The tutu plus the big colour change seem to accentuate the fact its two separate models rather than ome coherent whole. Hope that makes sense and is useful otherwise feel free to ignore meyou won't hurt my feelings.