Thanks, everyone! BFK, I'm happy to share what I've learned. But when it comes to TMM I still bow before Skel. Have you seen his latest post where I start with silver and uses glazes to turn it into gold? Freaking impressive.
And now for something completely different...
A while ago I was asked to put together another SBS. It took me a while but today I finally started working on it. It's covering the painting of a 54mm historical figure, a French Dragoon from Pegaso, from start to finish. I've done a number of Napoleonic figures but this is my first Dragoon. Anyway, here's a sneak peak.
(minor edit - I found that I actually took more pictures, so I broke down the final step into two images so you can see it immediately before and after glazing)
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1 - Base coat of Rosy Shadow
2 - Rough in the shadows with Chestnut Brown and a bit of Mahogany Brown (mostly so I can get those dark areas down before I start on the eyes)
3 - Layer of reddish pink (Rosy Skin + Violet Red) and then off white (Weathered Stone)
4 - Add in the irises with Ritterlich Blue, then some details (light blue near the bottom for some highlights, black for the pupil, and pure white for a catchlight). On a 54mm all of that is still pretty freaking small, so it takes a steady hand and some luck to hit the right spot. Thankfully it's pretty hard to see with the naked eye so you can always just fake it. =P
5 - Blending the skin shadows, Chestnut Brown into Rosy Shadow
6 - Blending the highlights, Rosy Shadow into Fair Skin, then into Fair Highlight
7 - Details and Tweak
Based on the previous picture I thought the highlights needed more pop, so I went from fair highlight to linen white on the tops of the cheeks, tip of the nose, and a bit on the chin. I used a mix of skin tones and red for the lips, repeated steps 5 and 6 on the ears, and painted in the eye brows.
8 - Glazing
The real magic with glazes. I used GW's Bloodletter, Guilliman Blue, and a mix of the two for purple (all further thinned with water). The red went on the cheeks, top of the nose, and ear lobes. Blue went on the lower part of the face to change the tone for a subtle stubble effect. The purple was used to emphasize the deeper shadows on the cheeks and a little bit around the eyes.
So that's the quick version. I'll be putting in a bit more detail when I sit down and write the full article... plus, you know, the rest of the figure. I'll post some more in progress photos as I go along, but I'll probably save the rest of the SBS details for the article. Sorry!
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