Killing With A Smile
New member
Dude....teach me!
Originally posted by swordtrainer
Welcome sir! We don\'t bite all of the time:twisted:
Sorry, you cannot be a member until you\'ve reached sufficient posting. (100 post if I remember right)Originally posted by Elia Cid
Hi all...I’m honored to be a member thank you for having me...
Originally posted by lono
Some good looking stuff there for sure. I\'m somewhat surprised how loose and - dare I say it - unfinished some of the painting looks on areas of them though, considering how large the models are.
Is this a conscious decision you have made to be freer and put less emphasis on perfect and smooth blends due to the size of these pieces? Does the way that natural light acts on stuff this big mean you can rely on it to do some of the work for you, rather than going for the ubersmooth finish like many of the top painters who work on larger scale stuff around here seem to do (the work of Pepa for example)?
Cool, you managed to answer my question even though it was, after rereading it, rather messily worded! Didn\'t mean to take anything away from what you do, it\'s just noticeably different to a lot of the stuff I\'ve been exposed to.Originally posted by Elia Cid
First let me say, this is my style of painting that I have developed over the last 35 year. I prefer to use the catch light system as oppose to the fixed light system that is traditionally used. For example, I use no browns in my skin tones most times and my lines are soft. I don’t overwork my piece by using excessive shadowing. I have developed concepts and techniques that have worked well for me over the years; all of which I have included in my book, The Art of Painting Miniatures: Faces & Figures, Compendium Publishers. As far as your comment “the way they do it around here,” I’ve learnt early on to compete only against myself. The bottom line is that this is my style of painting that works for me!