Demihuman
Active member
I know this is not what you meant but I have to say it any way . . .
SHOW WHATS under the WATER Demi - I know you have more to come!
LOL. First I invite DR to the gay pride parade then I tell the new guy I am holding back... Maybe I should get a proof reader.
Ok, so my internet friends, here is what i have to offer. I am back to my son's dragon. I went after the under belly and feel like I worked the colors out but will need to clean it up. I am breaking it down more than I usually would because I have gotten some really gracious feedback from people that are new to the site in the last couple of weeks. So maybe this will help. Or just make it sound like a giant PITA
Step 1. Big wash with ~1 part Reaper Magma Red to ~3 parts Reaper Earth Brown mixed about 1:1 with Vallejo acrylic matte medium and enough water to get it to flow into cracks but not enough for it to be thinned much. A pretty gel-like consistency maybe 1 part water to 2 parts paint?
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Then another wash with that concoction mixed with some Burnt Umber ink. This stuff is pretty nice. I tried to use it back in the day and had bad results with horrible tide marks. I guess the trick is that you need to thin it with something and keep an eye on it or it will pool. A bunch of acrylic matte medium seems to do a really good job of fixing the tide marks in washes too.
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Next step is the "shadow wash" as shown here: http://www.coolminiornot.com/forums/showthread.php?55160-Painting-the-Nautiloid&p=710585#post710585
I actually used my red-brown mixed with the blue ink and matte medium with a little water again for this step. The color came out really close to my Reaper Deep Ocean. Reaper Deep Ocean is the darker mid tone on the wings. Maybe I am on the right track? Color blind?
I made a pretty big mistake on this step. I flipped over the parchment paper layer of my wet pallet (SUPER LAZY!) instead of putting down a new piece of parchment paper and it picked up a bunch of fibers from the paper towel underneath. So I got much more texture than I bargained for and some pretty nasty little hairs. I also got pulled away mid-step for some daddy-duty. The dragon is big though, so rather than breaking out a tooth brush and dish detergent and stripping it I am just going to go with it. I did get some nice shadows:
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Next, still following the Nautaloid write up, I came back with my Reaper Golden Highlight (an ethnic skin-tone highlight) and tried to edge highlight the belly. I got some pretty nasty blotches and I don't know whether this is from not thinning enough or too big of color change. Maybe both? With the size of the dragon and his 2x4 dolly I did have some problems with getting my brush where I wanted it to go... I did go back in and try the golden highlight mixed with Marigold Yellow (really a pastel orange) to try and smooth it out. You can also see the "texture" here from the paper towel.
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Next I went back into the shadows with the red/brown and then the Deep Ocean to clean up the highlights and the mistakes above. I shaded from light to dark up toward the highlight (dark part of the gradient on this step touches the highlight and is on top.) Much like some folks do NMM, hoping to make the scales looks a little shiny. I also went back to the highlight with the Golden Highlight and then some spots of Linen White ( a warm off-white)
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And that picture ^^ looks like crap. I think this would be a lot more helpful if i could take consistently lit photos from stage to stage. Baby steps I guess. Maybe I should have the same light at my paint station as as I use for photos? That might not be possible.